Episode 8: BlacKkKlansman with Charlie Wachtel and David Rabinowitz

 
BK 1.jpg

This week, we’re joined by David Rabinowitz and Charlie Wachtel, writers of 2018’s incredible BlacKkKlansman. Directed by the one and only Spike Lee, the film told the true-life tale of Ron Stallworth – a Black police detective working in 1970s Colorado, who attempted to infiltrate the white supremacist world of the KKK.

The movie walked away with Best Adapted Screenplay at the 2018 Oscars, and for good reason. BlacKkKlansman was tense, darkly comic and disturbingly relevant – famously, the film ends with real-life footage of recent racist rallies in America, drawing a line between the events on screen and the times we’re living in today.

Co-written by Lee and frequent collaborator Kevin Wilmot, the film’s a stylish, powerful thriller that speaks to violence and division of both Trump’s America and America’s past. We caught up with Charlie and David to hear about the racial fault lines they wanted the film to expose, the tricky task of laughing at bigots on screen without minimising their monstrousness, and the compelling character within the film that Jordan Peele secretly helped shape. 

Script Apart is a podcast about the first-draft secrets behind great movies. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. All proceeds go to Black Minds Matter UKthe NHS Charities Covid-19 Appeal and the Film and TV Charity.

Script Apart is hosted by Al Horner and produced by Kamil Dymek, with music from Stefan Bindley-Taylor. You can follow Script Apart on Twitter and Instagram. You can also email us on thescriptapartpodcast@gmail.com. 

This week, we're joined by David Rabinowitz and Charlie Wachtel, writers of 2018's incredible BlacKkKlansman. Directed by the one and only Spike Lee, the film told the true-life tale of Ron Stallworth - a Black police detective working in 1970s Colorado, who attempted to infiltrate the white supremacist world of the KKK.The movie walked away with Best Adapted Screenplay at the 2018 Oscars, and for good reason.

 
Previous
Previous

Episode 9: In The Loop with Armando Iannucci

Next
Next

Episode 7: A Quiet Place with Beck/Woods